December 5, 2016
A three-month detailed excavation of Shakespeare’s Curtain Theatre by MOLA archaeologists has revealed details of a stage that is much longer than originally thought with evidence of a passageway running beneath it. Archaeologists can now also confirm that the theatre was a purpose-built structure at the rear of another building on Curtain Road in Shoreditch.
MOLA experts are hoping to uncover more secrets about the relationship between the unusual shape of the stage, the production and staging and the mysterious backstage areas through further detailed analysis.
The Curtain Theatre was intentionally built as a rectangular theatre to house plays and activities. This was not a repurposed space with a stage, it was a place where people came to be immersed in entertainment. It had timber galleries with mid and upper areas for those who could afford to spend a little more, and a courtyard made from compacted gravel for those with less to spend.
The Curtain Theatre is one of earliest Elizabethan playhouses where people paid money to see performances and be entertained. This is known because fragments of ceramic money boxes have been found, which would have been used to collect the entry fees from theatregoers and then been taken to an office to be smashed and the money counted. This office was known as the ‘box office’, which is the origin of the term we still use today.
Glass beads and pins, which may have come from actors’ costumes, were also unearthed along with drinking vessels and clay pipes, which are likely to have belonged to revelling theatregoers and actors.
For the moment, the excavated remains of the Curtain Theatre, which takes its name from Curtain Road, have been carefully covered over with a protective membrane and a special type of pH neutral sand, while construction of The Stage, a new £750m mixed-use development backed by a consortium led by Cain Hoy and designed by architects Perkins+Will, continues.
A display of the finds will sit alongside the theatre remains as part of a cultural and visitor centre at the heart of the completed development, which will also feature 33,000 sq ft of retail, over 200,000 sq ft of office space, more than 400 homes, and over an acre of vibrant public space including a performance area and a park.
Finding evidence for one of the first stages that was specifically built for plays at the end of the dig was hugely exciting and significant. This exciting discovery could transform our understanding of the evolution of Elizabethan theatres.
It also raises questions about the function of the theatre and the types of entertainment that might have been staged here. For example, did the unusual shape and layout of the Curtain stage influence the plays such as Henry V and Romeo and Juliet that he wrote before his company moved to the Globe with a different stage? As well as drama, could the Curtain’s stage space have been used for sporting spectacles?
With the excavation now complete, our plan is to do more in-depth analysis of the finds and further research that will shed some light on some of these mysteries.
As predicted, the plot is thickening and this landmark excavation continues to keep us on the edge of our seats. Shoreditch is undoubtedly London’s original theatreland and it is fitting that 400 years after Shakespeare’s death, we are uncovering the secrets of one of his least documented theatres and preserving it for the public to enjoy at the heart of this world-class development.
The Stage is set to create a new district in East London comprising state-of-the-art offices, retail space and residences with unique public amenities. The international visitor centre, which will exhibit the findings of the excavation and the remains of the theatre, will be a celebration of the rich history at the heart of this project and we cannot wait to open it in 2019.
A video providing more information about the excavation has been produced and is available at https://youtu.be/6i50jGQgeGA.
While analysis continues, budding poets are being invited to submit a poem, giving them the chance to showcase their work at the opening of the international visitor centre in 2019. The entries must be a sonnet or a limerick related to Shakespeare or Shoreditch and will be reviewed by a panel of judges led by historian Michael Wood and Professor Stanley Wells, Chair of the Shakespeare Birthplace Trust.
For more details on how to enter, please visit:
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Credits: © MOLA
Emma Kane/Henry Columbine/Rishi Banerjee
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Notes to editors:
About The Stage Set to be the newest enclave of Shoreditch, The Stage is a £750m mixed-used development on the site of the Curtain Theatre, spread over 2.5 acres. Designed by Perkins+Will, it will be home to 33,000 sq ft of retail and 250,000 sq ft of office space, an international heritage centre and a 37-storey residential tower. Cain Hoy Enterprises is leading a consortium of investors to develop the site.
The joint venture partners include: Galliard Homes, McCourt, Vanke, Investec and The Estate Office Shoreditch. Building works began in Spring 2016 and the site is expected to complete in 2019. For more information, please visit: www.thestageshoreditch.com or follow @TheStageEC2 and @CurtainTheatre on Twitter. About MOLA (Museum of London Archaeology) MOLA provides independent archaeology and built heritage advice and professional services.
With offices in London, Northampton and Birmingham, MOLA’s 250 staff help to discharge planning conditions expertly and swiftly. MOLA works in partnership to develop far-reaching research and community programmes.
Find out more at www.mola.org.uk, on Twitter @MOLArchaeology, Facebook MOLArchaeology and LinkedIn. About Shakespeare400 Shakespeare400 is a consortium of leading cultural, creative and educational organisations, coordinated by King’s College London, which will mark in 2016 the 400th anniversary of Shakespeare’s death.
Through a connected series of public performances, programmes, exhibitions and creative activities in the capital and beyond.
More information on the Shakespeare 400 programme of activities is available at www.shakespeare400.org.